Long-form photography shaped by patient observation. Based in Gothenburg; available for editorial commissions, exhibitions, and prints.
Three thematic sequences about what remains, what appears briefly, and how we order the world around us.
Photographs of the visible and invisible marks left by people, events, and time.
The road took me from Lviv to Kyiv to Kharkiv. From the cafés in Lviv to a place, close enough to the front line to hear shelling in the distance.
I decided to call this series 'A Portrait of Survival'. I saw a basketball court in front of a destroyed school building; women walking past ruins; bullet holes in the walls of a residential building. This represents the spirit in all of us.
дорога привела мене зі Львова до Києва, а потім до Харкова. Від львівських кав’ярень до місця, розташованого настільки близько до лінії фронту, що вдалині було чутно обстріл.
Я вирішив назвати цю серію «Ціною життя». Я бачив баскетбольний майданчик перед зруйнованою школою; жінок, що йшли повз руїни; сліди від куль на стінах житлового будинку. Це втілює дух, який живе в кожному з нас.
Unscripted moments, observed without intervention.
Order, repetition, and tension found in the spaces we construct.
III · END
A contact sheet of all 41 frames across three sequences.
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121984 · Gothenburg · Image / Sequence / Form
Maximilian Majewski is based in Gothenburg. His work begins with documentary observation and fine-art photography.
He works through image, sequence, and form. Distance, repetition, and time shape the photographs; editing and writing shape how individual moments become stories.
Available for prints, exhibitions, editorial projects, collaborations, and selected commissions.
